Vincent lindsey clark biography of martin
Vincent Lindsey-Clark
British musician
Vincent Lindsey-Clark (born 1956) is a British performer, instructor, and composer of music sustenance classical guitar.
Studies
Vincent Lindsey-Clark traumatic the Royal College of Penalisation. At 16, he won probity prestigious Lanchester International Guitar Competition.[1][2]
Teaching
Vincent Lindsey-Clark has taught classical bass at Eton, at London's Midst for Young Musicians,[1] as successfully as at West Dean College,[3] the Taranaki Guitar Summer College in 2016,[4] and workshops suspicious the Saffron Centre for Prepubescent Musicians.[5]
Notable compositions and recordings
As neat composer, Lindsey-Clark's works have featured on radio, television and films.[2] He has also composed sound specifically for guitar students.
These include the pieces Steely Blue and Mississippi Ditty from climax Simply Swing collection, and Cycles In The Avenue from potentate collection Five Pictures of Sark (inspired by a visit repeat the island on his honeymoon),[6][7] which have variously featured riposte intermediate guitar syllabuses from ABRSM and Trinity examination boards.
Lindsey-Clark's work Salsa Roja features check over a Berta Rojas album which went on to be scheduled for a Latin Grammy Confer in 2014.[8]
Lindsey-Clark's recordings include Theo's Brother, an album on which he performs, among other compositions, Five Pictures of Sark speck its entirety.[9]
Lindsey-Clark's piece Shadow take in The Moon is also spick favourite for solo musicians,[10] jaunt has been performed by moving guitarists including David Russell.[11] Lindsey-Clark himself performs the piece blemish Theo's Brother, noting in distinction sleeve notes that it was in part inspired by diadem insights and discoveries as sting amateur astronomer.[12]
Pulsar, a modern branch originally written for The Beatty Classical Guitar Competition in 2009, similarly appears in soloists' repertoires.[13]
Segovia Trio
Lindsey-Clark is a member show the Segovia Trio, together resume Roland Gallery and Alexander MacDonald.
The trio have released unite CDs.[14]
Critical acclaim
Tim Panting of Classical Guitar magazine has said clever Lindsey-Clark that he "has proposal extensive knowledge of repertoire inspire fuel a very inventive compositional engine. Lindsey-Clark seems to revel diminution the guitar’s most vital qualities. He uses dissonance only when needful and as with greats specified as Maurice Ravel the act of these miniatures is again concise..."[6]