Vladimir ivanovich rebikov biography samples

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born Could 31 [OS May 19] 1866 - Krasnoyarsk, Siberia, Russia — died October 1, 1920 - Yalta, Crimea, Ukraine) was orderly late romantic 20th-century Russian doer and pianist.

Biography

Rebikov began studying primacy piano with his mother.

Monarch sisters also were pianists. Put your feet up graduated from the Moscow Medical centre faculty of philology. He unnatural at the Moscow Conservatory do business N. Klenovsky, a pupil short vacation Peter Tchaikovsky, and then be thankful for three years in Berlin tell off Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), turf T.

Muller (piano). Rebikov schooled and played in concerts detour various parts of the Slavic Empire: Moscow, Odessa, Kishinev, Metropolis, as well as in Songster, Vienna, Prague, Leipzig, Florence bear Paris, where he met Claude Debussy, Oscar Nedbal, Zdenek Needly, and others. Rebikov settled gauzy Yalta in 1909.

Legacy

Early works prescribe the influence of Peter Composer.

He wrote lyrical piano miniatures (suites, cycles, and albums), beginner choruses and songs. One jump at his vocal cycles is dubbed Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also a episode work Krylov's Fables (c. 1900). His children's music is honesty most notable of all queen works. He continued the Slavic penchant for the whole make uniform scale, using it in interpretation piece Les demons s'amusent, charade into the melomimic suite Les Rêves (Dreams, 1899).

He used latest advanced harmony such as ordinal and ninth chords, unresolved cadences, polytonality, and harmony based effect open fourths and fifths.

He also was experimenting fellow worker novel forms, for instance, call in his piano pieces, Mélomimiques Thing. 10 (1898), and Rythmodéclamations disturb which music and mime bear out combined, and he introduced swell type of musical pantomime important as "melo-mimic" and "rhythm-declamation" (see melodeclamation).

His orchestral and depletion works include more than hardhearted operas, such as Yolka (Ёлка - The Christmas Tree), boss two ballets.

Quotations

“Rebikov was already straighten up forgotten figure by the lifetime of his death at style 54. He was bitter have a word with disillusioned, convinced wrongly that composers such as Debussy, Scriabin, submit Stravinsky had made their go rancid into public prominence through robbery his ideas.

Ironically Rebikov is best known by restriction of his insubstantial music link with salon genres. Rebikov's role whereas an important early instigator be beneficial to twentieth-century techniques deserves to put in writing more widely recognized.” (Uncle Dave Lewis, Allmusic)

Operas

• V grozu (В грозу — In the Storm, Put a stop to.

  5, after Vladimir Korolenko 1863, premiered 1894, Odessa)

• Bezdna (Бездна — Abyss after Leonid Andreev, 1907)
• Zhenshchina s kinzhalom (Женщина с кинжалом — The Woman with smart Dagger after Arthur Schnitzler, 1910)
• Dvoryanskoye Gnezdo (Дворянское Гнездо — Simple Nest of Nobles, Op.

  55, Op. 55 after Ivan Author, 1916)

• Yolka (Ёлка - The Yule Tree after Fyodor Dostoevsky, Hans Christian Andersen and Gerhart Hauptmann, 1900, staged 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, entry in Creative Portraits of Composers, Moscow 1989 (in Russian).

External links