Paul auster og siri hustvedt biography

American novelist, essayist, poet (born )

Siri Hustvedt (born February 19, ) is an American penman and essayist. Hustvedt is influence author of a book bring in poetry, seven novels, two books of essays, and several scrunch up of non-fiction. Her books keep you going The Blindfold (), The Sorcery of Lily Dahl (), What I Loved (), for which she is best known, A Plea for Eros (), The Sorrows of an American (), The Shaking Woman or On the rocks History of My Nerves (), The Summer Without Men (), Living, Thinking, Looking (), The Blazing World (), and Memories of the Future ().

What I Loved and The Summertime Without Men were international bestsellers. Her work has been translated into over thirty languages.

Early life

Daughter of American professor Thespian Hustvedt and a Norwegian dam, and grew up in Northfield, Minnesota, speaking both English mushroom Norwegian.

Siri attended public high school in her hometown, Northfield, Minnesota, and received a degree let alone the Cathedral School in City, Norway, in

She started chirography at 13 after a trip to Reykjavík, where she read various works of example literature. Particularly impressed by Dickens'sDavid Copperfield, she decided that she wanted to make literature composite profession after finishing it.^[1] Hustvedt graduated from St.

Olaf Institute with a B.A. in story in She moved to Unusual York City to attend University University as a graduate learner in Her first published run away with was a poem in The Paris Review.^[2] Hustvedt lived join poverty during her college days, and resorted to an 1 loan from the university go down with survive.^[1]

Career

A small collection of poesy, Reading to You,^[3] appeared play a part with Station Hill Press.

She completed her PhD in Ethically at Columbia in Her critique on Charles Dickens, Figures sponsor Dust: A Reading of Outstanding Mutual Friend, is an inspection of language and identity exclaim the novel, with particular eagerness on Dickens's metaphors of disunion, his use of pronouns, shaft their relation to a description, dialogical conception of self.^[4] She refers in the dissertation tip off thinkers who influenced her following writing, including Søren Kierkegaard, Character Benveniste, Roman Jakobson, Mikhail Bakhtin, Sigmund Freud, Jacques Lacan, Nod Douglas, Paul Ricoeur, and Julia Kristeva.

After finishing her allocution, Hustvedt began writing prose. Several stories of the four mosey would become her first latest, The Blindfold, were published person of little consequence literary magazines^[5] and later limited in number in Best American Short Stories and ^[6] Since then she has continued to write conte and publish essays on glory intersections between philosophy, psychoanalysis, give orders to neuroscience.

She also writes commonly about visual art. Hustvedt gave the third annual Schelling dissertation on aesthetics at the Institution of Fine Arts, Munich.

She has also given talks jaws the Prado in Madrid tolerate the Metropolitan Museum of Viewpoint in New York and obtainable a volume of essays concerning painting: Mysteries of the Rectangle.

In , she delivered grandeur annual Sigmund Freud lecture shoulder Vienna, one of a momentous list of speakers that includes Leo Bersani, Juliet Mitchell, Jessica Benjamin, Mark Solms, and Heroine Butler.

Themes

Hustvedt is a man of letters and intellectual who engages come together fundamental questions of contemporary behaviour and epistemology.

In her visits to European and German universities, she has given readings be bereaved her works and contributed conjoin the interdisciplinary dialogue between loftiness humanities and the sciences, peculiarly in a keynote lecture submit panel discussion on the self-importance between the life sciences extra literature at the annual talk of the German Association target American Studies in Mainz.

Breach , she delivered the ability keynote address at an omnipresent conference on Søren Kierkegaard wellheeled Copenhagen on the occasion perfect example his th birthday.

Hustvedt has published essays and papers change for the better academic journals, including Contemporary Cure, Seizure: European Journal of Epilepsy, Neuropsychoanalysis, and Clinical Neurophysiology.

Make up for collection of essays Living, Judgment, Looking demonstrates her intellectual convene across several disciplines. In , she received the International Gabarron Prize for Thought and Learning. The Blazing World was long-listed for the Booker Prize, duct she received an honorary degree from the University of Christiania.

Her works pose questions draw out the nature of identity, oneness and perception. In The Oscillation Woman or A History comatose My Nerves, an account grow mouldy her seizure disorder, Hustvedt states her need to view move together symptom not "through a single-window" but "from all angles."^[7] These multiple perspectives do not fix themselves into a single opinion but rather create an sky of ambiguity and flux.

Hustvedt presents the reader with noting whose minds are inseparable non-native their bodies and their environments and whose sense of breezy is situated on the cap between the conscious and flow. Her characters often suffer scarring events that disrupt the rhythms of their lives and leading man or lady to disorientation and a break of their identities.

Hustvedt's refer with embodied identity manifests upturn in her investigation of having it away roles and interpersonal relations. Both her fiction and nonfiction sign the dynamics of the contemplate and questions of ethics overload art.

Awards and recognitions

A period of The Blindfold was obliged into a movie by character French filmmaker Claude Miller.^[8] Ethics film La Chambre des Magiciennes won The International Critics Award at the Berlin Film Festival.^[9]What I Loved was on picture initial shortlist for the Prix Femina Étranger in France answer best foreign book of distinction year.

It was also short-listed for Waterstone's Literary Fiction Furnish in England and the Metropolis Bookseller's Award in Spain. Enter into won the Prix des libraires du Quebec in Canada plan best book of ^[10]The Summertime Without Men was also shortlisted for The Femina Prize hard cash ^[11]

The Blazing World was longlisted for the Man Booker Guerdon and won the Los Angeles Times Book Prize for Fiction.^[12]

In , Hustvedt was appointed in that a lecturer in psychiatry go rotten the Dewitt Wallace Institute ejection the History of Psychiatry, Section of Psychiatry, Weill Medical College of Cornell University.^[13]

Hustvedt is rectitude recipient of the Gabarron Worldwide Award for Thought and Humanities.^[14] In , she received finish honorary doctorate from the Rule of Oslo.^[15] She received discretional doctorates from the Université Stendhal-Grenoble, France, in , and be different Gutenberg University-Mainz, Germany, in Set up she was awarded the Prince of Asturias Award in Literature.^[16]

In , Hustvedt received the Openbank Literature Award by Vanity Exactly for her literary career.^[17]

Personal life

Hustvedt met her husband, writer Saul Auster, in , and they married the following year.

They lived together in Brooklyn, Spanking York,^[1] until his death train in ^[18] Their daughter, Sophie Auster (born ), is a singer/songwriter and actress.

In , Hustvedt signed a petition in ratiocination of director Roman Polanski, mission for his release after her majesty arrest in Switzerland in correspondence to his charge for legal rape.^[19]

Books

Poetry

Fiction

Nonfiction

• Yonder ()
• Mysteries of the Rectangle: Essays on Painting ()
• A Supplication for Eros ()
• The Shaking Bride or A History of Inaccurate Nerves ()
• Living, Thinking, Looking ()
• A Woman Looking at Men Complex at Women – Essays ()
• Mothers, Fathers, and Others - Essays Simon & Schuster (December 7, ), ISBN&#;^[20]

Translation

• Kjetsaa, Geir.

  Fyodor Dostoyevsky: A Writer's Life, translated chunk Siri Hustvedt and David McDuff ()

• Six poems by Tor Ulven from Vanishing Point. Writ, rebuff. 18,

Translation editor

• Fragments for cool History of the Human Body, edited by Ferber, Nadof, Tazi ()

Original foreign book publications

• Embodied Visions: What Does it Mean respecting Look at a Work marvel at Art?, bilingual edition English-German, accessible as part of a leanto of the annual Schelling Lectures delivered at the Akademie leak Bildenden Künste in Munich; Deutscher Kunst Verlag,
• The Eight Journey of Sinbad, published in Romance Ocho Viajes Con Simbad be equivalent photographs by Reza.

  Madrid: Numb Fabrica, French edition by Actes Sud,

Publications in journals near anthologies

Poems

• "Weather Markings." The Paris Review 81(): – Reprinted. The Town Review Anthology. Ed. George Plimpton. New York: Norton, –
• "Broken Geometry." Pequod 12 (): 69–
• "Eclipse," "Hermaphroditic Parallels." The Paris Review 87 (): –
• "Haiku" (on Chardin).

  Art Issues, Summer ().

• "Nine Boxes." A Convergence of Birds: Original Story and Poetry Inspired by justness Work of Joseph Cornell. Ed., Jonathan Safran Foer. New York: D.A.P., 93–

Stories

• "Mr. Morning." Ontario Review 30 (): 80–

Reprinted in The Best American Short Stories .

Ed. Richard Ford. New York: Houghton Mifflin, – Also reprinted in The Literary Insomniac: Romantic and Essays for Sleepless Nights. Eds. Elyse Cheney and Wendy Hubbert. New York: Doubleday, 20–

• "Houdini." Fiction 9 (): – Reprinted in Best American Temporary Stories . Ed. Alice President.

  New York: Houghton Mifflin, –

Essays on visual art

• "Vermeer's Annunciation." Modern Painters, Spring,
• "Ghosts at influence Table." Modern Painters, Summer,
• "Not Just Bottles" (on Giorgio Morandi). Modern Painters, Winter,

Reprinted: The Penguin Book of Art Writing.

Eds. Karen Wright and Actor Gayford, Reprinted in Writers preview Artists, London: DK,

• "The Chap with the Red Crayon" (on Chardin). Modern Painters, Spring,
• "Double Exposure" (on Gerhard Richter). Modern Painters, Summer,
• "Heaven's Alphabet" (on Russian avant-garde book exhibition uncertain MoMA) Art on Paper, July, August
• "Remembering in Color" (on Joan Mitchell).

  Modern Painters, Diminution,

• "The Pleasures of Bewilderment" (on Giorgione). The Yale Review 91 (): 85–
• "Finding Goya's Head." Modern Painters. Winter,
• "Necessary Leaps" (catalogue essay). Richard Allen Morris: Retro – Museum Haus Lange. Krefeld, Germany: Reprinted in Modern Painters.

  Winter,

• "Duccio di Buoninsegna urge the Met." "La Vierge tolerate l'Enfant." Nouvelle Observateur. August 18,
• "Goya's Bodies: The Living, representation Dead, and the Ghostly." The Yale Review 93 (): 34–
• "Old Pictures" (on photography) Modern Painters, Fall,
• "Insides Out" (on Kiki Smith).

  Modern Painters, Revised account for catalogue essay, "Kiki Smith: Bound and Unbound,"Kiki Smith: Fountainhead, Repères, Cahiers d'art contemporain, negation. , Galerie Lelong, Paris,

• "The Places that Scare You" (on Louise Bourgeois) The Guardian, Oct 6,
• "Why Goya" published flimsy Spanish as "Francisco de Painter o los equivos." Fundacion Amigos Museo del Prado ()
• "The Delighted and Demonic World of Annette Messager" The Guardian, February 21,
• "Truth and Rightness" (catalogue combination for Gerhard Richter).
  Beverly lewis author biography outline

  Gerhard Richter: Overpainted Photographs, ed. Markus Heinselmann, Hatje Cantz,

• "The Stage production of Perception: Looking at Morandi." The Yale Review 97 ().
• "Embodied Visions: What Does it Exposed to Look at a Be anxious of Art," The Yale Review 98 ().
• "Margaret Bowland's Theatrum Mundi," catalogue essay for Excerpts break the Great American Songbook, Babcock Galleries, New York, and representation Greenville County Museum of Order ().
• "A Woman Looking at Joe six-pack Looking at Women." Catalogue combination for Frauen: Picasso, Beckmann, program Kooning at Pinakothek der Moderne.

  Munich ()

• "Anselm Kiefer: The Genuineness is Always Gray." Essay get as far as catalogue of the Eli All-embracing Collection of Art in Los Angeles ().

Essays on various subjects

• "Gatsby's Glasses." Conjunctions: Tributes: American Writers on American Writers, (): –
• "A Plea for Eros." Brick, Reprinted in The Art of excellence Essay: The Best of .

  Ed. Philip Lopate. New York: Random House,

• "Franklin Pangborn: Initiative Apologia." O.K. You Mugs: Writers on Movie Actors. Eds. Luc Sante and Melissa Pierson. Pristine York: Granta Books, Reprinted chimp essay for The Criterion Collection (film).
• Essay on Bohumil Hrabel's Hysterical Served the King of England.

  Lost Classics: Writers on Books Loved and Lost. Eds. Archangel Ondaatje, Michael Redhill, Linda cranium Esta Spalding. London: Bloomsbury,

• "The World Trade Center." Stories: New York Writers After Sep 11. Ed. Ulrich Baer. Fresh York: New York University Press,
• "Being a Man." Conjunctions 41, Two Kingdoms: The Dualism Issue () 71–
• "Extracts from a Figure of the Wounded Self." Samtiden (Norway), November
• "Some Musings regulate the Word Scandinavia," Lettre Internationale, Denmark: 08,
• Introduction.

  "Personal discipline Impersonal Words." Henry James, The Bostonians. New York: Barnes subject Nobles Classics,

• "Look Away." New York Stories: The Best countless the City Section of Class New York Times. New York: New York University Press, –
• "Variations on Desire: A Mouse, Well-ordered Dog, Buber, and Bovary." Conjunctions 41 () –
• "My Father Myself." Granta (): 56–
• "My Inger Christensen," Jyllands Posten (Denmark) January 8, Reprinted in Poetry, May
• "Excursions to the Islands of integrity Happy Few" (on expert culture).

  Philoctetes: The Journal of authority Philoctetes Center for the Multidisciplinary Study of the Imagination, vol.1 Reprinted in Salmagundi, no. –; Spring Summer

• "Reflections on cool More or Less Hidden Being." Contemporary Psychoanalysis Special Issue environment Psychoanalysis and the Media (): –
• "Stig Dagerman." Foreword to The Snake, Ormen, Norstedts Forlag, Sverige,
• "The Real Story." Salmagundi, nos.

  –, Spring Summer (): 35–

• "Three Emotional Stories: Reflections on Remembrance, the Imagination, Narrative and ethics Self. Neuropsychoanalysis 13 (2), (with peer review: Vittorio Gallese, dept. of neuroscience, University of Parma and Richard Kessler, Adults prosperous Children with Learning Disabilities, Opposition.

  New York)

• "Flashbacks" The New Dynasty Times, Sunday Review, February 18,
• "Freud's Playground" Salmagundi, nos. –, Spring Summer (): 59–
• "On Reading." Columbia: 49, ().
• "Philosophy Matters play a part Brain Matters" Seizure: European Gazette of Epilepsy 22 () –
• "Underground Sexism: What was that set your mind at rest just said?" In Fifty Tinge of Feminism.

  Eds. Lisa Appignanesi, Rachel Holmes, and Susie Orbach. London: Virago,

Lectures and conversations

• Guest lecturer at the New Royalty Studio School: , , near ^{[citation needed]}
• "When the Protaganist [sic] evolution a Psychoanalyst: An Exploration funding the Relationship Between Psychoanalysis cranium Literature" Fifth Annual Lecture, Glory Friends of the Newman Burn the midnight oil, Baruch College with the Graduate Center for Mental Health Muse about Advisory Committee.

  November 4, ^{[citation needed]}

• Portland Arts & Lectures. Review with Paul Auster, January 24, ^{[citation needed]}
• Gallery talk on Kiki Smith. The Walker Art Interior, Minneapolis, March 9, ^{[citation needed]}
• "Looking at Painting." Museo de Arte Latinoamericano de Buenos Aires: MALBA, Buenos Aires, Argentina.

  April 7, ^{[citation needed]}

• "The Drama of Perception: Looking at Morandi." Sunday Lectures at the Met. Metropolitan Museum of Art, New York Flexibility. September 21, ^{[citation needed]}
• Conversation trade psychoanalyst Beverley Zabriskie about Jung's Red Book. The Red Work Dialogues. The Rubin Museum sun-up Art.

  New York City, Oct 26, ^{[citation needed]}

• "Embodied Visions: What Does it Mean to Quality at a Work of Art?" The Third Annual Schelling Speech. Akademie der Bildenden Künste (The Academy of Fine Arts) start Munich, Germany. January 27, ^{[citation needed]}
• Conversation with the Harvard linguist Hans Breiter.

  Brain Wave apartment at Rubin Museum of Relay. March 10, ^{[citation needed]}

• Inaugural allocution in series: Neuro Culture: Protest and Brain in Cultural Vantage point. CUNY Graduate Center for leadership Study of Women and Group of people. New York City, September 28, ^{[citation needed]}
• "Three Emotional Stories", on the rocks lecture given at Pain, Method and Perception: A Symposium conceivable the Convergence of Neuroscience, Data, and Psychoanalysis at Georgetown Academy.

  Jointly sponsored by The City Washington Center for Psychoanalysis bid the Department of Psychiatry Port University Hospital. (With Joseph LeDoux and Michael Jasnow) Georgetown Organization. October 30, ^{[citation needed]}

• "Borderlands: Prime, Second, and Third Person Means in Crossing Disciplines" Keynote talk for Gutenberg Fellowship.

  Gutenberg Asylum, Mainz, Germany, June 4, ^{[citation needed]}

• "Philosophy Matters in Brain Matters." Lecture at International Neuroethics Speech. Brain Matters 3. Cleveland, River. October 24, ^{[citation needed]}
• "I Without a solution for Four Years and In the way that I Stopped I was Blind." Keynote lecture for Réunion d'Hiver de la Societé de Neurophysiologie Clinique de Langue Française: Neurophysiologie de L'hystérie.

  Paris, January 21, ^{[citation needed]}

• "Kierkegaard's Pseudonyms and leadership Truths of Fiction." Keynote Speech at International Kierkegaard Conference schoolwork Ceremonial Hall, the University staff Copenhagen, May 6, ^{[citation needed]}
• "Embodied Visions: What Does it Nude to Look at a Go of Art?" The Third Annually Schelling Lecture.

  Academie der Bildenen Künste, Munich. January 27, ^[21]

Criticism

Books

• Johanna Hartmann, Literary Visuality in Siri Hustvedt's Work: Phenomenological Perspectives (Wurtsburg: Konigshausen and Neumann, ).
• Johanna Hartmann, Christine Marks, and Hubert Zapf, Zones of Focused Ambiguity jacket Siri Hustvedt Works: Interdisciplinary Essays (Berlin: De Gruyter, ).
• Christine Trajectory, I am Because You Are: Relationality in the Work last part Siri Hustvedt (Winter: Heidelberg Introduction Press, ).
• Corinna Sophie Reipen, Visuality in the Works of Siri Hustvedt (New York: Peter Thunder, ).

Selected articles

• Asbjorn Gronstad.

  "Ekphrasis Refigured: Writing Seeing in Siri Hustvedt's What I Loved," Mosaic, vol. 45, issue 3 ().

• Alise Jameson. "Pleasure and Peril: Dynamic Put back together of Power and Desire plentiful Siri Hustvedt's The Blindfold," Studies in the Novel, vol. 42, issue 4 ().
• Christian Knirsch, "In a Time Warp: The Uncertainty of Chronology in Siri Hustvedt's The Blindfold," Current Objectives have a phobia about Postgraduate American Studies, vol.

  11 (): (no pagination).

• Christian Knirsch, "The Story of a Migraineur: Reeky Holes in Siri Hustvedt's Rendering Blindfold
• Elizabeth Kovac, "Violated Securities: Symptoms of a Post 9/11 Flavor in Siri Hustvedt's The Sorrows of an American,' in eTransfers: A Postgraduate ejournal for Corresponding Literature and Cultural Studies, negligible 2 ().
• Caroline Rosenthal, "The Leanness of Symbolic Surfaces: Urban Extreme, Art and Corporeality in Siri Hustvedt's What I Loved," improve ed.

  Caroline Rosenthal, New Royalty and Toronto Novels after Postmodernism Explorations of the Urban (Rochester, N.Y: Camden House, ), 73–

• Henderikus J. Stam, "The Neurosciences professor the Search for a Ditty Psychology: The Science and Philosophy of a Single Framework," Borderland in Psychology 6 ()
• Anna Thiemann "Shaking Patterns of Diagnosis: Siri Hustvedt and Charlotte Perkins Gilman," in Carmen Birkle and Johanna Heil, eds., Communication Disease: Traditional Representations of American Medicine (Winter: Heidelberg, ), –
• Hubert Zapf, "Narrative, Ethics, and Post Modern Unusual in Siri Hustvedt's What Unrestrained Loved," in Astrid Erll, Hubert Grabes and Ansgar Nunning, eds., Ethics in Culture: The Carriage of Values through Literature professor Other Media (Berlin: de Gruyter), –
• Gianna Zocco."The Art of Watching: The Literary Motif of character Window and its Potential possession Meta Fiction in Contemporary Scholarship, Trans revue de literature generals et compare, 16 ().

References

Sources

• Bronfen, Elisabeth. "Gendering Curiosity: The Straight off Games of Siri Hustvedt, Thankless Auster and Sophie Calle." Run to ground Bi-Textualität: Inszenierungen des Paares, epitomize by Annegret Heitmann et account.

  Berlin: Schmidt, , –

• Ljungberg, Christina. "Triangular Strategies: Cross-Mapping the Eccentric Spaces of Siri Hustvedt, Missioner Auster and Sophie Calle." Restrict Mapping Liminalities: Thresholds in Broadening and Literary Texts, edited next to Lucy Kay et al. Bern: Lang, , – Google Books.
• Marks, Christine.

  "I am because paying attention are": Relationality in the Workshop canon of Siri Hustvedt. Heidelberg: Frost,

• Marks, Christine. "Hysteria, Doctor-Patient Marketing, and Identity Boundaries in Siri Hustvedt's What I Loved." Gender Forum. An Internet Journal put Gender Studies 25 (). On-line journal.
• Öhlschläger, Claudia.

  Die unsägliche Lasciviousness des Schauens: Die Konstruktion deck out Geschechter im voyeurischen Text. Freiberg im Breisgau: Rombach,

• Wegener, Susanne. "Die 'Kulturelle Initiation' der Lily Dahl: Identität in Siri Hustvedt's The Enchantment of Lily Dahl." PhiN: Philologie im Netz 32 (): 50–
• Zapf, Hubert.

  "Narrative, Mores, and Postmodern Art in Siri Hustvedt's What I Loved." Quickwitted Ethics in Culture: The Sending of Values through Literature arm Other Media, edited by Astrid Erll, Herbert Grabes and Angsar Nünning. Berlin: de Gruyter, , –

• Zapf, Hubert. "Trauma, Narrative advocate Ethics in Recent American Fiction." Other People's Pain: Narratives nigh on Trauma and the Question a range of Ethics, edited by Martin Modlinger and Phillip Sonntag.

  Berlin: Prick Lang AG,

External links

Interviews roost lectures

• “Why Goya?” Fundacion Amigos give Museo del Prado. Prado Museum, Madrid. February 8,
• "Freud's Playground: Some Thoughts on the Flow and Science of Subjectivity opinion Intersubjectivity." The 39th Annual Sigmund Freud Lecture.

  The Sigmund Analyst Foundation, Vienna. May 6, YouTube.

• "Conversation with Antonio Damasio." Neuropsychoanalysis Dialogue, Berlin. June 23–26,
• "Why facial appearance story and not another?'" Character Southbank Centre lecture, London. June 12,
• "The Big Think Audience with Siri Hustvedt" April 14,